This dissertation aims to analyze the four editions of the book Recife Sangrento by crime reporter Oscar Felix de Melo, which appeared between 1937 and 1970. Oscar Melo's work is part of a very specific genre widely known by historians as detective literature. As its name implies, this genre is characterized by its emphasis on what are usually violent and sensational events. The data found on the author's life, although not as abundant as we would have liked, was sufficient to show how the author considerably modified his work from the second edition (1938), through the third (1956), to the final and definitive version of 1970. We mean that both the circumstances of his life, such as advancing age and with it his distance from the successes narrated, and the intense historical transformations that took place in Brazil in general and in Pernambuco in particular between the first and last editions, are perceptible in the thematic choices and subjects dealt with, especially in relation to what was preserved or suppressed between one edition and the next. It seems that Melo not only had many readers, but also numerous buyers, and there is no doubt that his work ended up contributing to the reinforcement of certain social and political imaginaries about Recife at the end of the 19th century and the first decades of the 20th.

The research seeks to understand the epidemiological crisis and epidemics in Pernambuco between 1918 and 1936 and their relationship with the construction of the apparitions of Our Lady of Grace. During the transition from the 19th to the 20th century, various diseases devastated the world. In Pernambuco, an already vulnerable state, yellow fever, Spanish flu and typhoid fever spread rapidly, plunging Pernambuco society into chaos and uncertainty, generating a desperate search for security and answers. In this context, the supposed apparitions of Our Lady of Grace in Pesqueira, from August 1936, witnessed by the girls Maria da Luz Teixeira de Carvalho (1922-2013) and Maria da Conceição da Silva (1920-1999), gained prominence as a spiritual response to these challenges. Religious practices and Marian devotion became a collective way of finding hope in the midst of crises. The formation and spread of the Marian cult are intrinsically linked to the social context and living conditions of the population, highlighting the need for a socio-cultural approach to understanding these historical events. Devotion arose as a spiritual response to the adversities faced by society, reflecting the search for hope and security amid the turbulence of the time. To understand the role of the apparitions of Our Lady of Grace in Cimbres, it is crucial to consider the social and cultural context of the time. To this end, we examined the newspapers Jornal Pequeno, Diario de Pernambuco, Diario da Manhã and A Província to understand the representations of epidemics and their relationship with the invention of new cults.

The literature of the nineteenth century allowed the construction of spaces for the understanding of ideas that circulated the Brazilian social conjuncture. Between the aspects of sociability and constructions of a search for cultural identity, we find the festivals as indicators of a political structure, which made it possible to understand the functioning of the existing dynamics of the layers. When analyzing the work published in 1876, O Cabeleira, by the writer from Ceará, Franklin Távora, it was possible to observe the practices of nineteenth-century Pernambuco entertainments and festivities. Considering the research from the literary source, the author's work made it possible to create an environment of understanding about the aspects of the festivals, between their political conviviality, economic and economic formation, cultural. As an element of the collective, the parties are exposed by the writer as a space to express regional narratives and notions about everyday life. The work "The Cabeleira", written by the naturalist in 1876, reproduces a scenario of Colonial Brazil the trilogy of setback found in the eighteenth-century sphere of Pernambuco: thedrought, the yellow fever epidemic and the beginning of social banditry. How as a consequence of the calamity of the period, the author describes the deviations and solutionsto the reality of the moment: such as social practices and festivities, which characterize a society and all its uniqueness. Thus, the use of literature will be notable for the interpretation and performance of the festivities in the social construction of Pernambuco. From the author's narrative it is evident how the practices of amusements were composed within a transitory period of history of Brazil, with aspects of daily life, training and use of the free time in Pernambuco society throughout the nineteenth century.

This research, still in development, is linked to the doctoral course of the Graduate Program in History at the Federal Rural University of Pernambuco (UFRPE), in the Teaching of History and Regional Culture line. Its objective is to understand how the field of gender studies has been configured in the curriculum of initial teacher training, starting from Licentiate courses in History in the state of Pernambuco. The proposal is to observe initial teacher training in the area of history, through careful analysis of the curriculum of undergraduate courses, with regard to the field of gender studies, seeking to understand how this is configured in the process of initial training of future students. teachers currently. The aim is to understand "if" and "how" gender studies appear, which lenses, at what moment it is scored, if it emerges in a transversal or disciplinary way, that is, how it is structured in the curriculum through the understanding of the forces, disputes and inclusion/exclusion strategies. As locus, the Federal University of Pernambuco (UFPE) and the Federal Rural University of Pernambuco (UFRPE) were chosen, both institutions with significant academic recognition, with consolidated graduate programs and relevant contribution to the training of history teachers. . Regarding the sources, documents such as legislation and educational policies, matrices, profiles and menus of curricular components, semi-structured interviews and questionnaires will be used. As categories of analysis, the option was made to use gender and curriculum. For data analysis, the intention is to make use of a transdisciplinary theoretical-methodological approach that studies languages in contemporary societies, Critical Discourse Analysis (CDA).

This study aimed to analyze the formation of punk identities in Recife between the 1980s and 1990s. Punk can be defined as a cultural phenomenon linked to music, more specifically rock, with origins between the 1960s and 1970s in some parts of the world, notably the United States of America and England, but not limited to. To achieve the proposed objectives, we used a conceptual framework that addresses the categories of culture, identities, and memory as interconnected components in what we understand as identity formation. The study is based on the analysis of testimonies and fragments of material culture produced by these groups. Twenty-three interviews were conducted between July 2022 and December 2024. Material culture, in turn, is analyzed based on personal archives, such as fanzines and letters that were produced and archived by the deponents. The assumptions of the Oral History Manual (Alberti, 2013) were used to obtain and process the interviews, making the necessary adaptations to the target audience, as well as authors such as Cardoso (1997), Vainfas (1997), Thompson (1981, 1998, 2001), García (1990) and Groppo (2021) for a bibliographic review on the concept of culture. Hall (2006; 2012) and Castells (2018) for a review on the concept of identities and García (1990); Pollack (1992), Barros (2011) and Candau (2011) to deal with memory. The results indicate the existence of a cosmopolitan scene in the city, starting in the 1970s with Udigrudi, which would become more intense in the following decade when punk and other identities linked to more extreme rock effectively arrived in the capital of Pernambuco, albeit in a marginalized and peripheral manner. Little by little, these new bodies began to occupy and ‘nomadize’ in the various spaces of the city and surrounding areas, demonstrating their own dynamics, which were already well consolidated by the end of the 1990s. At the beginning of this decade, punks began to coexist with another thriving cultural scene, which partially altered its dynamics: manguebit. Finally, punk identities in Recife were formed amid the transformations that the country was undergoing with the end of the dictatorship and the subsequent technological and infrastructural advances. The city of Recife follows this scenario; however, punk identities are born, above all, based on a sign of contingency and coexistence with other urban tribes, demonstrating the strength necessary to act as producers of cultural dynamics and urban space. The project was approved by the Ethics Committee for Research with Human Beings of the Federal Rural University of Pernambuco, under number CAAE: 62380322.1.0000.9547.

 João Batista da Silva and Antônio Vicente, two unrelated individuals who at different times committed the same crime, the illegal trade of brazilwood from the northern captaincies. During most of the 18th century, trade of Pernambuco brazilwood – which was the target of smugglers – was exclusive to a British company that had the contract for the consumption of that wood. With the monopoly of the Portuguese Crown on the exploitation of brazilwood established since the beginning of colonization due to the potential profit it presented, to cut costs and prevent embezzlement, the Portuguese government established its leasing. In which both extraction and trade in Europe were governed by contracts, which means that practices carried out outside these contracts constituted contraband. In this work we will study what the historiography says about what smuggling was in Brazil in the colonial period, and through documents from the 18th century about the crimes of João Batista da Silva and Antônio Vicente, we will seek to understand the functioning of the networks and the socioeconomic role developed for such a practice. 

ABSTRACT

The following ongoing research, linked to the Teaching of History and Regional Culture line, has the general objective of analyzing the contributions that visits to Virtual Museums can trigger in the teaching-learning process in history, in the final years of elementary school, considering the platforms digital formats with interdisciplinarity as its orientation, as a theoretical-methodological dimension for the teaching of History. In this sense, as a methodological procedure, a historiographical review was initially carried out guided by books and articles that discuss the relationship between History Teaching, Digital Technologies in the classroom, Virtual Museums, Heritage Education and the Interdisciplinarity of formal and non-formal teaching. After this first process, we carried out the practical moment of research, which took place from data collection, in order to enable a better understanding, occurred in two stages, the first of which, with the investigation that took place in the non-formal teaching space, which is the Paço do Frevo museum, through a semi-structured interview with the educational sector and, later, analysis of recordings of Abre-salas. In the second moment, we visited a reference elementary school, where a semi-structured interview was carried out with History teachers and the applicability of a workshop class to students, in order to test the conceptions provoked by the use of a virtual museum linked to in History classes. With the analysis of the theoretical foundation and the ordering of the information from the collected data, it will be possible to make it clearer and more understandable in how the use of virtual museums in History classes promotes ways of learning this curricular component, at the same time that it will help us to think about and problematize the relationship between teaching-museum spaces and learning in History.

The present study aims to analyze the debate around the idea of republic – in addition to adjacent ideas such as federalism and constituentism – uttered by the public writer from Paraíba Antônio Borges da Fonseca in Pernambuco and Rio de Janeiro through his newspapers published between the years of 1843 and 1855. The beginning of the section marks the debut of the newspaper O Nazareno, initially published in Nazaré and which, years later, was transferred to Recife. The year 1855 was chosen to be the publicist's last publication in print called O República, published in Rio de Janeiro. In this temporal space of the research is also inserted the movement that was called Insurreição Praieira, which Borges da Fonseca himself was one of the main protagonists, even publishing the famous “Manifesto ao Mundo”. The starting point for the analysis of the present research were the manifestations of the publicist in his printed matter, highlighting the aversion to the monarchy (and its institutions), as well as to the emperor, and glorifying the republic, federalism and a new constitution for the country . Thus, we highlight the role of the press in forming a public opinion capable of breaking the barriers of illiteracy. In addition to the two newspapers already mentioned, the third that will be worked on, also by Borges da Fonseca, is The November Revolution. One of the research's main arguments is that republican ideas were seen as the solution for the nation's development, highlighting the vices and abuses that held back the Brazilian monarchy, as well as the emperor, D. Pedro II. When approaching the qualitative approach, an interpretation of the sources around the context that was inserted will be noticeable. From the intersection of some newspapers studied, a huge debate between “monarchists” and “republicans” was noticeable, which helped to perceive the political climate that Brazil was inserted. This work is in a perspective of New Political History, as well as Social History, focused on a study “from below”, of a writer who was considered “the most dangerous individual in the cause of the monarchy”.

The present dissertation, written in interest of obtaining the title of Master in History, had as its main objective study and investigate the Pernambuco's curriculum, in particular it's now outdate Antique History vertent, starting on the premisse of readequation of the field of study by renaming it Antiquities, magnifying the subarea linked to the Mediterrain Sea, adressed using the Myth as a scientific concept, webbing not only historical conjectures about it, repurporsing its core structure and its use to the critic study of the Pernambuco's curriculum education, together with others scientific concepts, as cultural identity, the descentralization of the individue in the Late Modernity, the atual historical time regime crysism, et al. The here dissertated found and showed the “Antiquity” problematic, in its singular outdated concept, with hipotesis validated by ressignifying it field of research in History, adequating it to a plural world by renaming it Antiquity of the Mediterrain Sea, focusing on the “Classical” modality or “Greek-Roman”, as it was presented by an extense argumentation over a diversity of ways to conceive “Myth”, investigating not only in the History field of study, but as well as a vast gama of scientific fields, such as antrophology, sociology, linguistic and others, with the clear path of getting a robust and diverse, transdisciplinar, reflection, in addition to conect these studies with the teaching of History as a scientific field, specially its Antiquity of the Mediterrain Sea field. The exposed só far also led to a extensive dialogue to unweb the brazillian/pernambucano's curriculum, theoretically and methodologically supported by historical fields such as Cultural History, the third generation of the Annales school of thought and more, where it didn't shy from making contundent criticism of the shameful absence of the Antiquities studies (saving minor mentions to the old “Ancient History” of ancient Greece and Rome), denoting a lacking curriculum even as prescption and with little to show in the direction of articulating a liberating, ample reading of the world of a curriculum as narrative. The here written also showed debilitating deficiencies of the Pernambuco's curriculum, besides the contribution to expanding the contemporany debate of the Myth, about the much needed renovation of History as a science, specially on its Antiquities field, of its importance to Education in general (not only the pernambucana), going beyong of the limited relevancy of the teaching of History as a science. The current dissertation also helped the debate about the fragmented individual of the Late Modernity, your descentralization and its multiple cultural identities, its dangers and empowerment possibilities.

Taking the city of Recife as a backdrop between the years 1960 and 1964, the present research aims to 

analyze the relationship between the production of meaning of fashion elements and the constitution of the 

notion of subject, considering how the gendered character of fashion signs participates so much in the conception 

of the idea of this subject, as they end up delimiting their specificities. To this end, the work was divided

 into three parts. The first establishes a theoretical dialogue that intends to understand the genealogy of the

 sign as a set of elements circumscribed to a situated knowledge – temporally and especially – and which, 

therefore, guides the ways of perceiving and understanding realities. In this sense, it is questioned that,

 in addition to the meanings present in fashion deriving from colonial knowledge, the epistemologies commonly 

used to understand their dynamics in societies start from the same lens. Taking as a starting point the 

Saussurean source of Barthes' semiology (2012), it is intended to extrapolate the limits of language,

 pointing out, from the dialogue between Mignolo (2017), Fanon (2008) and Hall (2016), how, 

for Sometimes, language reaffirms the subjects it wants to analyze. The second piece aims to understand the

 discursive construction of meanings from their locus of enunciation. In this way, to scrutinize how the 

meanings of the fashion code are constituted in the first four years of the 1960s in the city of Recife. 

This point is part of a movement to claim academic geopolitics, questioning, through historiographical debate, 

what is understood and recorded as Brazilian Fashion History, given the centrality of some regions in 

this historiographical work. Understanding the socio-political and cultural context of the city in this period, 

and relating them to its fashion events, we can infer from what relationships and in what discursive meshes

 the subjects are forged. In this way, the third piece aims to point out how, as fashion signs are products of 

language, we can conceive that, while they imprint normative aesthetics on bodies, they establish a reference

 that creates and reinforces otherness on the margins. This debate is developed from the notion of subject and 

identities in Butler (2021), the criticism of the coloniality of being, present in the ideas of gender, addressed by 

Oyewumi (2017), and the intersectional perspective in Akotirene (2020), so to perceive certain signs of fashion 

as modern colonial devices that reinforce the normative framework and make other ways of being/feeling/living 

invisible.

At the present time, quilombola women have been standing out in a collective fight for their rights and denouncing racism, sexism and the fight for land undertaken in their trajectories. In the territory of Cruz da Menina, located in the rural area of the municipality of Dona Inês in the state of Paraíba, it is no different, women are the protagonists of collective struggles, from movements for self-recognition as a “quilombo remnant community” to our present time. . Therefore, in this work we investigated the collective trajectories of women from the Quilombola Cruz da Menina Community, specifically from the Silva family nucleus, who are regular participants in the Association of the Community of Remnants of Quilombos Cruz da Menina (ACRQCM) and/or make up the organizational body of the institution as leaders. Through the methodology of Oral History as the art of listening according to Alessandro Portelli (2016), we seek to investigate how quilombola women from Cruz da Menina have been fighting in contemporary times for the rights historically denied to the black population. With this, we have the year 2005 as a time frame, which marks the beginning of female mobilizations in the construction of quilombola identity until the present moment. That said, this research approaches the field of study of Women's Stories, through a black feminist point of view (COLLINS, 2019), where our interlocutors will be the central axis of the analyzes permeated by the theoretical apparatus of intersectionality (Akotirene, 2019) .

The present work aims to analyze inquisitorial processes of sodomy practiced by clerics in the eighteenth century, in this way, we intend to identify, from the sources listed, how casuistry is presented in the documentations. Moreover, through the prism of the mercy granted to the defendant in some cases, mitigating the guilt of the same, it makes clear the intention of ecclesiastical justice to put the individual back on the path of moral rectitude. Among the themes that historians focus on the most, the Inquisition is undoubtedly one of the most listed as an object of analysis. It is not by chance that there are several studies about it and its vast documentation that are analyzed and approached in different theoretical ways, and the temporal and spatial cutouts used are also numerous. Certainly, because it is a widely studied topic, there is a range of debates and disagreements in the historiography surrounding the subject and its interpretations.

The present work aims to analyze the Religious Question, which occurred between 1872 and 1875, based on periodicals produced by groups that defended the Ultramontane position of the Catholic Church and Masonic periodicals.  The option for printed sources was due to the role that newspapers and periodicals had in nineteenth-century Brazilian society.  They constituted true arenas of ideas where each group's worldview was reproduced, transmitted and, as far as possible, debated.  Freemasons and Catholics took advantage of this space to allow their ideas to penetrate Recife society, where each person defended their position, seeking to garner support and express their point of view.

In 1277, occurred, in Bulgaria, a revolt against the throne of that countrykingdom. Peasants, led by a pig farmer called “Ivaylo”, mobilized to face this enemy, considering them incapable of facing foreign invaders, whom these peasants also fought.  After centuries, remains, as a legacy, an entire bibliography that addresses this historical event, and this work selects one of them, the (self-styled) Marxist one, and makes an interpretative effort between what would be propaganda and what would be scientific.  In this reading, observations are made on the political and economic structure of the Bulgarian kingdom and the level and essence of the presence of Bulgarian empresses in the sources on the topic discussed are also analyzed.

Our main objective in this research is to investigate how the relationship was established between Brazilian workers at Companhia de Tecidos Paulista (PE) and their foreign employees, during the course of the Second World War and in the immediate post-war period. Period that covers the years 1939 to 1946. We seek to understand how Brazil's entry into the war against the Axis countries (Germany, Italy and Japan) impacted these work and coexistence relationships in the city of Paulista, known for housing a large number of foreigners in its factories and working village. We will also analyze the reverberations of the international scenario at the national level, and the establishment of the Estado Novo (1937-1945). We decided, for the construction of our research, to uncover the traces and traces identified in three sets of documents: the labor processes of the extinct Conciliation and Judgment Boards (JCJ) of Pernambuco, the documentation of the extinct Delegacy of Political and Social Order of Pernambuco (DOPS -PE) and some periodicals. We therefore intend to contribute to studies that address the worlds of work in Brazil, the experiences of workers in the Labor Court, the Second World War and the History of Pernambuco.

The present work addresses the use of technology in the educational context,
highlighting its potential in tackling school bullying. Through the development of apps,
it is possible to create solutions that promote interaction between students and
educators while addressing issues within the school environment. The study
emphasizes the importance of training educators in technology, equipping them to
effectively use digital tools in the teaching-learning process. Furthermore, the
challenges and limitations faced by schools when implementing technology, such as
a lack of resources and adequate infrastructure, are discussed. The research also
highlights the role of students as key players in developing technological solutions,
with a focus on platforms like App Inventor to create apps that help prevent and
combat bullying in the school environment. It is concluded that technology, when
properly applied, can be an important ally in promoting a healthier and more inclusive
school environment.

This research searched to analyze the strategies used by indigenous people to resist the failures imposed by Catharina de Araújo and her family, wealthy residents of the Alagoas region, in the attempt to usurp half a league of land from their village to place cattle corrals and tobacco plantations. leaving the natives starving. This is what Father Friar Manoel da Encarnação reported in 1699 in a letter and memorial sent to the King of Portugal, a way they found to fight for the land of the village. Throughout this study, it was verified the services provided by the indigenous people in the defense of the territory in approximately one hundred years of existence of the village, particularly, in the fight against black refugees in the Palmares quilombos in the hinterlands of the Pernambuco captaincy. The adopted perspective flees from the polarity of the indigenous people who take refuge in the hinterlands or those who live among the colonizers without ties with their past, aiming to demonstrate them as colonial indigenous, christianized and with economic ties within the colonial society, using the ideas of politics, territory and Lusitanian culture to reaffirm their ethnic belonging. For the realization of the research, the dialogue between the digitally colonial manuscripts available in the Arquivo Histórico Ultramarino, the Arquivo Nacional da Torre do Tombo and available through the Documenta Palmares platform was configured as fundamental.

The period of industrialization's peak in Brazil reverberated in economic growth for the country. The traces left by this period brought significant changes to society, which interfered in the organization of groups or in the environment in which they live. Industrialization was able to determine people's way of life. This dissertation's main objective is to reflect on the industrial heritage, specifically in Pernambuco, analyzing the trajectory and listing of one of the most important textile industries in Pernambuco, the Tacaruna Factory. Industrial heritage has its peculiarities, in this sense it is important to reiterate its dynamism and complexity, enabling the understanding that its value goes beyond its extrinsic characteristics, and is based on its tangible and intangible specificities. Concepts such as cultural and industrial heritage and memory are highlighted in the writing of the research. For this purpose, the heritage letters of Niznhy Tagil and Sevilha were analyzed, as well as the process of listing the Tacaruna Factory, in addition to central bibliographical references for the development of the dissertation. The analysis of this documentation allowed us to understand the history of the Tacaruna Factory, the peculiarities of its building and its relevance as an industrial heritage of Pernambuco, in addition to bringing to light how ineffective the listing of the Tacaruna Factory Complex was, given the current process of abandonment in which it currently finds itself.

The city of Campina Grande celebrates the mega-event known as the Largest Saint John Festival in the World for 30 days during the month of June. Created in the 1980s, the festival centralized the June celebrations in a specific nucleus and became the highlight of tourism in the state of Paraíba. This process of modifying cultural practices in June celebrations reinvented the ways of commemorating the saints' days in the city. Before municipalization, festivities took place in diverse locations throughout the city, with different social groups celebrating in their own ways. With this in mind, the purpose of our work would be to reflect on the transformations of festive practices during the June period in the city of Campina Grande. Celebrations and social spaces for commemorating the June period occurred in clubs and neighborhoods of the city before municipal authorities took control of the festival. Over the years, the centralization of the June celebration contributed to erasing from collective memory how June amusements and recreations were practiced in Campina Grande before institutionalization. Thus, we will analyze the period between 1964 and 1986, during which the celebrations were still entertainment and leisure for the citizens of this city, taking place in clubs, neighborhoods, and streets, until the officialization of the festival in a central nucleus by the city's municipality. To carry out this endeavor, we relied on documentary sources such as municipality documents, local newspapers, and photographs to discuss these transformations. We also employed discussions from some important authors for our reflection, such as Certeau (1980), who provided support through their concepts for the realization of our analysis. We emphasize the need for reflection on the subject since it represents a perspective and a period of Campina Grande that has not yet been addressed, leaving a gap in the local historiography. Despite possibly being the largest festival in the state of Paraíba, there still exists an unexplored space in local historiography for reflection on the practices of amusements and leisure during that period, the cultural practice transformations, and the strategies adopted by the municipality regarding the festival, which has become one of the largest in the country in our days.

The present thesis work aims to discuss the elaboration of colonial cities as a space of representation for a model of urban and architectural organization, which we call White Cities, which reproduces not a Portuguese metropolitan logic, but an ordering of its own cultural landscape. articulated with the conditions and structures of power arising from its historical and cultural manifestations. The thesis presents a reconstruction of this past of whitewashed facades, based on the History and narratives created about the multifaceted Captaincy of Itamaracá and its relationship with the other Captaincies of Northern Brazil. To this end, we seek an intricate game of methodological approaches that need to access and dialogue the strategies of scientific interpretation arising from geography, unveiling the paths for the formation of Cal, as a constructive raw material, of archeology to bring as an element of founding social identity material culture and its range of meanings, architecture, setting the stage for understanding the landscape of cities, their representations and how they connect the history of the subjects and arguments of social and cultural elaboration that built them to the entire context. Combining material sources from geography, architecture and archeology, we carry out extensive work analyzing the documents produced about the history of the Captaincy of Itamaracá, Cal and the political and economic situation of the Captaincies of northern Brazil, using reports from chroniclers and travelers, current images and their iconographic counterpoint, maps, customs records, official letters to the Portuguese metropolis, as well as a bibliography of classic authors such as Roncayolo, Buarque de Holanda, Chartier, Pedro Almeida to dialogue with Dantas, Keller, Macedo and Thiesen, among others so many that contribute to the narrative proposed for this scientific investigation being able to broaden perspectives on the history of the Captaincy of Itamaracá and Brazilian colonial cities.

he present research is relevant, above all, for shedding light on a region still little analyzed by
historiography, given the focus on the provinces with the highest number of enslaved people until
the end of the 19th century, especially those in the Southeast. We seek here to emphasize the
historical dimension of structural racism and its discursive construction, which permeated and still
guides our daily actions when we defend the thesis that structural racism in Brazil is based on
slavery. In the last decades, several works on the subject of slavery have been published, from more
general analyzes to the most recent studies that seek to analyze more specific aspects with a focus
on slave protagonism, which does not mean that the discussions have been exhausted. There are still
many gaps such as a more detailed knowledge of the actions of the enslaved in the fight against
slavery in specific regions with little slave expression. It is in this trend that this research is inserted,
and seeks to know in the specific region of Alagoas, the actions of black men and women in the
resistance to slavery. For this we use a variety of documentation and the choice of written
documentary sources is because we understand that they are of great importance for the
historiography of slavery in Alagoas. Thus, crossing different sources brings an important gain for
the researcher, because as Marc Bloch wrote: “It would be a great illusion to imagine that each
historical problem corresponds to a unique type of documents, specific to such use” (BLOCH,
2001, p. 80) . The intersection of these sources, as well as the “evidence” they keep, showed us
ways to think about the post-1888 scenario and the permanence of the idea of the “white race” as
emancipating and of blacks as inferior, unprepared for freedom and citizenship.

lization. As a research field, we selected the classrooms of a public school
within the Centro de Atendimento Socioeducativo e Centro de Internação Provisória
de Arcoverde (CASE/CENIP Arcoverde) – located in the backlands of Pernambuco
and designated for cisgender adolescents and young people, aged between 12 and
18 years old. As sources, we selected regulations that guide school education within
the scope of socio-educational measures in the State of Pernambuco: Resolution no

119/2006 of CONANDA and Law no 12,594/2012; Pedagogical Proposal for Socio-
Educational Service Centers (CASEs) and Normative Instruction SEE/PE no 06/2012,

published in the Official State Gazette; FUNASE Political-Pedagogical Project; Annual

Operating Plan (POA/2020) of CASE/CENIP Arcoverde. We also propose semi-
structured interviews (GASKELL, 2003) with technical, school and socio-educational

teams. Following the health protocols established due to the COVID-19 pandemic, the
interviews were carried out via digital platforms. Considering the masculinities and
femininities (cisgender/transgender) inscribed in school history teaching in prison
classrooms, we start from the theorization proposed by Joan Scott (1995). We are
even closer to the intersectional debate. Coming from black feminism, intersectionality
operates in the convergences and rearticulations between markers of gender, class
and race (AKOTIRENE, 2018; CRENSHAW, 2002). In deprivation of freedom, bodies,
genders and sexualities were subject to regulation. The term “lock”, used by
adolescents and young people to refer to the space of deprivation of freedom (SILVA,
2020), in the present research, designated different knowledge and practices of
control, surveillance and declassification – normative “locks” of gender and sexualities
that destabilized the guarantee of individual and social rights. From the service
perspective proposed by SINASE (CONANDA Resolution No. 119/2006 and Law No.
12,594/2012), reflections and teaching practices attentive to gender asymmetries are
strategic for school and socio-educational actions committed to promoting rights and
confronting inequalities. We defend intersectional approaches to gender as a right and
condition – but not the only one – in guaranteeing the right to school historical
knowledge and respect for differences.

The research aims to defend the thesis that patrimonialization must be perceived as a socially and historically defined field, starting from the sociological perspective by Pierre Bourdieu. Patrimonialization, therefore, would constitute itself as a field marked by a specific economy of values, which both enshrines and excludes cultural assets to be taken as heritage in a community. To defend this postulated, the place of neo-Gothic architecture in Pernambuco was researched within this economy of values in the field of patrimonialization throughout the 20th century, seeking monitor changes and continuations in the configuration of this field, paying attention to the agents, habitus, doxas and values involved, without losing sight of the discourses and practices of consecration, as well as those of exclusion. To this end, a diversity of documentary sources associated with the multiple agents involved in this social microcosm: State institutions, private associations and individuals from the civil society.

This thesis, inserted in the research line Culture, Heritage and Memory, aims to present
reflections on the identity process in the Black Community Senhor do Bonfim - Areia-PB,
between the years 2005 and 2018. The group, recognized as a quilombola community by the
Palmares Cultural Foundation (PCF) in 2005, started to organize itself politically around this
identity and, in this scenario, several other actants (human and non-human) emerged who act
and perform in the whole process. In order to do so, we will resort to the concepts of ontological
politics and multiple realities by Annemarie Mol (2002; 2008) in order to understand how
realities are multiple, fluid and constantly remodeled by heterogeneous agents in the process of
constituting the group. For this purpose, we will resort to various sources, relating them in a
dialogic way. These are: anthropological report, institutional documents, audiovisual sources,
oral reports and semi-structured questionnaires. However, at the same time, although they
appear as sources, in the course of our analysis they also become actants in the identity process,
considering that our perspective considers non-humans as active in the process.

This study aims to investigate how artivist actions are being developed by "sapatão"
collectives in Recife. The work focuses on three collectives: "Monstruosas," "Distro
Dysca," and "Ocupe Sapatão." This thesis utilizes a virtual ethnographic approach to
map the territorial occupation and network articulations of these collectives, understood
as "creative networks." The content analysis focused on the categories of collective
organization, territory and articulations, and artivism. The thesis identifies a strong
presence of activities aimed at creating meeting spaces, artistic performances, and the
fusion of artistic languages, promoting subversive and intersectional discourses that
emphasize the value of differences beyond gender and sexuality issues, including race
and class. A predominance was observed in the creation of spaces and nomadic events,
performances, and a hybridism of artistic languages, with a subversive and intersectional
approach that values differences beyond sexual and gender dissidences, incorporating
markers of race, class, and others. "Sapatão" artivism is presented as a powerful tool for
social transformation, challenging dominant social norms and promoting inclusion and
diversity. The research also addresses decoloniality, challenging Eurocentric and
colonial narratives that shape notions of sexuality. By documenting the history and
struggles of "sapatão" collectives in Recife, the thesis seeks not only to preserve
collective memory but also to inspire future generations of activists.

The city is a constant object of study in the human and social sciences. The entire city
structure that makes up the urban environment has problematizations to be worked on by
various looks of science. By proposing, an approach to the city focused on Cultural History,
the historian seeks to understand the details beyond what is seen superficially, it becomes
necessary to question the object, that is, the city, in order to obtain details from the cultural
sphere. It is not possible to isolate only an area of History, therefore, emphasis is placed on
one of them, but the others are not excluded, a dialogue between these areas is necessary so
that the narrative becomes consistent, in this way, the writing of a Cultural History of the city
also brings social, economical and political elements. As much as the historiography of cities
is full of studies on large urban centers, gaps are realized when it comes to smaller cities, like
is the case of the research object of this work: The city of Itabaiana. This work aimed to detect
the changes and continuities in the cultural and structural aspects of the city of Itabaiana, in
Paraíba, during part of the 20th century (1901-1920). Located in the Agreste of Paraíba,
Itabaiana was popularized in the colonial period, the cattle fair that was established in the
place attracted people and contributed to the formation of the urban center little by little.
Soon, after the Proclamation of the Republic, the city became emancipated and with that,
several changes were made in its structure, which affected not only the landscape, but also the
way of experiencing the city, its daily life. The city of Itabaiana, as well as several other cities
in Brazil, at the beginning of the 20th century, experienced the process of arrival of the signs
of the modern, the train, electricity and, among other factors, evidenced the arrival of
modernity in the city. With this new advent, everyday life is transformed, the city began to
live at a faster pace, with new ways of behaving in the city emerged, imported from other
large urban centers that already experienced the modern air. Primary sources for the research,
photographs, newspapers and literary works of the time evidenced the daily life lived in the
time frame worked. Such types of sources require the historian to observe them with caution,
since they are imbued with subjectivities and intentions to be realized with the technical eye
of the researcher. These subjectivities, when identified, become allied to the research on the
daily life and the Cultural History of the city, which make it possible to verify the impacts
generated, in the daily life, by the arrival of modernity in the city of Itabaiana in the beginning
of the 20th century. As an advent, modernity was the main transformative agent of the
landscape and daily life of the city of Itabaiana in the first two decades of the 20th century.

a

The instrumentalization of the past through the narrative can be responsible for establishing a historical culture about a certain historical event. In this sense, this dissertation analyzes the debates about memory around the Brazilian civil-military dictatorship in the state of Pernambuco based on the works developed by the State Commission for Memory and Truth Dom Helder Camara. We understand this Commission as the pillar of what we understand as historical culture about the civil-military dictatorship in Pernambuco, and that the basic elements of the formulation process of what we understand as historical culture about the dictatorship in Pernambuco are: the particularity of the dictatorship in the state, the report organizers and their professional training. We used as main sources the interviews with members of the commission, the Final Report produced by the body and the Official Gazette of the State of Pernambuco. We built an analysis of how the process of formulating this historical culture was established and what was the path taken towards it. Based on the analysis of these documents, we concluded that efforts were made to place violence in the countryside and institutional violence at the center of the debate as basic elements of what we propose as the historical culture of the dictatorship in Pernambuco.

Different profiles of women engaged in an institutionalized way in the abolitionist movement during the 19th century. In Pernambuco, this action was consolidated by the society Ave Libertas, which, with a board of directors composed exclusively of women, managed to seek freedom for hundreds of captives, leveraging the abolitionist idea in the city of Recife. In view of this, this paper analyzes the trajectories of the women who participated in this mobilization in the Pernambuco province, from the beginning of Ave Libertas in 1884, until the legalization of the end of slave labor in 1888. In this way, we investigate the pluralities of actions among the female public and how this participation created a network of activism capable of increasing the discussions about women's ability to get involved in political debates. Through the onomastic method, oriented by Carlo Ginzburg, we identified the names of women who were associated with abolitionist actions and investigated, mainly through research in Jornal do Recife and Diário de Pernambuco, the lives of these ladies and young women, listing information that would bring us closer to the paths taken by them to conquer the spaces of information, communication and intellectuality. With this, we explore how the Recife women's group used the movement's strategies, acting in urban spaces, in public demonstrations, and in the press, besides analyzing how close the activists got to the enslaved black population through their actions. Therefore, this research is based on the precepts of Social History and microanalysis, observing the characteristics of different social groups through the concept of historical experience in order to verify the transformations driven by social mobilization, in addition to using gender as a category of historical analysis, in order to attest to the importance of women's action in the anti-slavery mobilization in Pernambuco.

For many decades, indigenous peoples were silenced, marginalized and made invisible in the historiographical narratives of Brazil, especially in the 19th century, as well as sociocultural diversity with the systematic denial of identities and rights. Specifically, the inhabitants in the current Northeast Region, in the statements of authorities and invaders in indigenous territories, justifying the official extinction of the aldeamentos and the plunder of the aldeamentos lands, as occurred in the Aldeamento Brejos dos Padres, in Tacaratu, Pernambuco. To better understand these situations, it is necessary to broaden discussions about the role and place of indigenous peoples in local and regional historical processes. Based on bibliographical readings and document analysis from the 19th century, consisting of specific bibliographical studies about the situation of indigenous peoples in the current Northeast Region, and analysis of official documentation. Understanding and highlighting conflicts, socio-political relations and experiences lived by indigenous people. The sources used came from various collections and documentary series available at the Arquivo Público Estadual Jordão Emerenciano (APEJE) and the Ministério Público de Pernambuco (MPPE), containing reports, official letters, plans and maps of settlements, requests, letters and petitions from indigenous peoples to authorities, population maps and official correspondence from local authorities about the situation of indigenous peoples and their judicial status.

In the initial context of the Civil-Military Dictatorship in Brazil, inquiries were instituted to investigate acts considered subversive or contrary to the so-called “democratic regime”. In this scenario, at the beginning of May 1964, Summary Investigation Process No. 85 was opened, with the aim of analyzing the “invasion” that occurred in the previous year at the Pedra d'Água site, an area belonging to the former village of Cimbres, ceded by the Pesqueira-PE City Hall to the Federal Government. The central issue of this dissertation resides in the association of Xukuru do Ororubá indigenous people to the Peasant League in the act investigated by the Process. This analysis started from a perspective of the supposed “invasion” not as a subversion, but as a resumption, that is, a way used by the indigenous people to guarantee the rights over that territory. The study of this movement becomes more important from the understanding that the League was baptized with the name of a Xukuru volunteer in the Paraguayan War — Clementino da Hora —, and the area retaken by the organization is an important territory for the performance of religious rituals by these indigenous people. Despite this, the news and official documents on the subject rarely mention the Xukuru in this movement. Furthermore, this intersection between the Leagues and the Xukuru is quite significant for the practical understanding of the concept of territorialization and for an analysis of the forms of resistance and claims adopted by these indigenous people in their relationship with the State. 

This work intends to analyze an element that is part of the history of the city of Recife and the trajectory of Pernambuco cinema: the street cinemas. Within the clipping, we will study how cinema arrives in Recife and the emergence of the first projection houses; how cinemas were losing the space they had conquered, which led to the massive closure of dozens of theaters. Thus, there are some questions to be answered: were the new forms of movie consumption the main reasons for the disappearance of street cinemas? How were these spaces treated after closure? What is left in the city of the old street cinemas? What has Recife been doing to not let such memories be forgotten? For the theoretical-methodological contribution, we used studies on cities by Sandra Pesavento (2007), Maurício Abreu (1998), Maria Stella Bresciani (1992), Ani Fani Alessandri Carlos (2007), Italo Calvino (1990), in addition to the relationship between memory and history of Maurice Halbwachs (1990), Le Goff (2006), José D'Assunção Barros (2005). The research was built from the reports of memorialists, document analysis of periodicals, film analysis and fieldwork carried out in March 2022. Thus, this work sought to investigate a part of the history of the city of Recife that still lives in spaces abandoned due to a restlessness caused by what was left of some cinemas.

This thesis proposes to investigate the Vale do Amanhecer Doctrinal and Religious Movement,
in its historical and cultural aspects that involve its physical institution some aspects of its
spiritual formation. The movement established in 1969 in the city of Planaltina, administrative
region of the Brazilian capital, Brasília - DF. Institution founded by Tia Neiva (also known for
supposedly being the first woman truck driver in Brazil) that over the years has gained visibility
and currently has approximately 650 temples spread across the 26 Brazilian states, as well as
in several countries in Latin America, Europe, and in Asia.In number of adherents, the religious
expression has approximately 800,000 members. For the analysis of the object, with regard to
the sources, part of the iconographies of the institution itself will be used, photographs, images,
archives of the newspapers Correio Braziliense - DF and Diário de Pernambuco, as well as
information found in the virtual environment (internet) about the theme of the Doctrinal
Movement Vale do Amanhecer, still constitute as sources some oral reports, which serve as a
basis mainly in the analyzes that will be made in the sense of examining everyday situations
that involve the life of Tia Neiva and the Members of the doctrine, as well as we will also use
registration processes at Iphan, theses and dissertations that address the theme. Among the main
concepts used to support the analyzes contained in this thesis are the concepts of Hybridization
by Nestor Canclini, the concept of Representation by Roger Chartier, and the propositions of
the Italian School of History of Religions based on Adone Agnolin and Brazilian interpreters
such as Eliane Moura da Silva and Karina Bellotti. The thesis consists of three chapters, a
discussion that aims to show that the hybridization present in the movement is responsible for
the visitation, integration and increase in the number of members and their permanence until
the present day.

Asterix is a comics series written by René Goscinny and illustrated by Albert Uderzo, the first album was published in 19661, and the main characters of the magazine são Asterix, a Gaul warrior, member of a small village, who fights against Roman expansionism, and his best friend, Obelix, who fell into the caulderon of Panoramix Druid's magic potion as a baby, permanently acquiring superhuman strength. Historically, the album is situated in the period of the Roman Republic, not in the year 50 BCE, and has as a historical context the conquest of Gaul, by Julius Caesar. The HQs of Asterix provide elements to work with the representations of Roman citizenship, an element that is integrated into Roman society that both enables an economic rise for lower litters as well as adds social status to higher litters. Likewise, the analysis developed here seeks to create elements to problematize the concept of citizenship in the Teaching of History from knowledge linked to the field of Ancient History.

The elaboration of this research aspires to understand the possibility of enhancing the critical and investigative spirit of individuals students in the school context, contributing to the practices of the History professional in their classes. The analysis starts from perception of the spatial and temporal distance of the students from the Greek religion, and then associates this distance with a similar one regarding the religions with African matrices. Based on this, we seek through the Greek theater a pedagogical possibility to work broadly on the theme of religion, thus making it an environment conducive to religious plurality, respect and tolerance. The use of the Greek theatrical play by the tragediographer Euripides will be a link between knowledge, the present and the past, providing students with a view of a specific cut of Greek religion and religiosity in the 19th century. IV and V A.E.C.. In addition to the Greek play, we will also use books that portray the myths of religions of African origins, for the purpose of a comparative analysis between both polytheistic religions and the way they are interpreted within the school environment. Concomitantly, reflections will be given with the purpose of exercising reading, interdisciplinarity, as well as understanding and interpreting the factors related and studied within the historical contexts of the play. The Greek theater also makes it possible to awaken in individuals the search for knowledge, as well as fortify the construction of knowledge by deconstructing the vision of a religion apart from our culture

Frente a los procesos y estigmas que violaron e invisibilizaron las disidencias de género y sexualidad durante el período de la dictadura (cis)hetero-civil-militar, e incluso antes, nuestra discusión tuvo como objetivo rescatar la memoria de las travestis que vivieron en Pernambuco y el derecho a la memoria. De esta manera, tuvimos la oportunidad de contribuir a la inserción y respetabilidad de estos cuerpos en una Historia que, durante muchos años, fue y sigue siendo sexista, transfóbica, homofóbica y racista. Esta investigación tuvo como objetivo comprender aspectos relacionados con la travestilidad en el diario Diário de Pernambuco y los reflejos de las relaciones entre la sociedad, las disidencias de género, la subjetividad y la construcción de la corporeidad entre 1970 y 1985. Por lo tanto, para formar nuestro corpus, seleccionamos artículos que relataran hechos relacionados con la travestilidad, desde su marginación hasta la exaltación de las actuaciones y comportamientos artísticos en general. El diario Diário de Pernambuco fue elegido como escenario de esta trama porque, hasta hoy, tiene una gran circulación en el estado y por llegar a diferentes sectores de la sociedad pernambucana. Así, encontramos en sus páginas lo que sería un espejo del imaginario que se estaba construyendo en ese momento. En consecuencia, para construir nuestro aporte teórico-metodológico, utilizamos en esta investigación a teóricos que desarrollan conceptos de género, sexualidad y sus ramificaciones. El análisis de la revista se realizó desde la perspectiva de la Micro-Historia, ya que reducimos la escala de observación al analizar aspectos que, en la macro, podrían pasar desapercibidos. Através de los instrumentos presentados, comprobamos que, si bien la mayoría de los discursos sobre los cuerpos travestis los colocaban al margen y los convertían en objetivos principales de la persecución moral y conservadora, ya no se trataba de un “hacer travesti” lo que estaba en juego, sino de un “ser travesti”. La travestilidad desafió las normas morales y de comportamiento al ocupar espacios destinados únicamente a cuerpos cis-heteronormativos.

Este trabajo busca historizar las movilizaciones del Movimento Nacional de Meninos e Meninas de Rua (MNMMR) contra el exterminio de niños  en situación de calle en Recife, entre los años 1991 y 1998. El MNMMR surgió en 1985 en el contexto de la redemocratización de Brasil, de la movilización por la conquista y el cumplimiento de los derechos de los niños y de la reestructuración de la asistencia a los niños en situación de vulnerabilidad social. El Movimiento, desde la segunda mitad de la década de 1980, denuncia en publicaciones, investigaciones, informes, intervenciones y marchas el alto índice de niños y niñas en situación de calle que fueron exterminados en las grandes ciudades brasileñas como Recife, una de las capitales donde más niños en situación de calle fueron exterminados en Brasil. El marco temporal elegido pretende contemplar las movilizaciones del MNMMR contra el exterminio entre la diligencia realizada en Pernambuco por la Comisión Parlamentaria de Investigación (1991-1992) destinada a investigar el exterminio de niños s en Brasil, en septiembre de 1991, y el V Encontro Nacional de Meninos e Meninas de Rua, en noviembre de 1998, donde el Movimiento discute las diversas violencias que afectan a los niños y niñas en situación de calle. Nuestra metodología de trabajo busca valorar las experiencias y conocimientos provenientes del movimiento social, desde el camino trazado por Catherine E. Walsh (2019). Así, nuestras fuentes para el análisis son las "entrevistas temáticas" de Historia Oral realizadas a activistas del Movimiento Nacional de Niños y Niñas de la Calle y el periódico "O Grito do Meninos e Meninas de Rua", publicación oficial del MNMMR en Pernambuco. En nuestro trabajo, a partir de las prácticas y conocimientos del MNMMR, entendemos el exterminio no simplemente como un asesinato, sino como un crimen político planificado por un grupo de personas que tiene como objetivo la eliminación de ciertos sectores de la sociedad, de la "responsabilidad política" de toda la sociedad y como resultado de la desigualdad socioeconómica que estaba latente en Recife en el período. También entendemos que la vida de los niños que viven en la calle fue relegada por una parte de la sociedad a la condición de "precariedad", concepto desarrollado por Judith Butler.

The present research intends to investigate the relationship between cinemanovista cinematographic production and Brazilian identity through the analysis of the social types and spaces highlighted in two films belonging to the movement: Rio, 40 Graus (1955) and Vidas Secas (1963), both of which are achievements by São Paulo filmmaker Nelson Pereira dos Santos. The work seeks to understand the cultural dichotomy that opposes two regions: Southeast and Northeast, urbanized and rural, in search for a definition of the national culture of a time, through cinematographic analysis (semiotics) and social representation. It also questions how the films translate – in part – these spaces, allowing the recognition of a cultural identity. We focus on two historical moments of Cinema Novo, which are exactly the years of 1955, when we have the release of the feature film Rio, 40 Graus, and 1963, which was the date of the release of Vidas Secas. The theoretical matrices selected for this work are located in the fields of analysis of the New History, and, above all, in the methods that propose a study of the film as a historical document of its time (FERRO, 1971), still seeking to emphasize, through the social representation, the direct relationship that Cinema Novo carries along with the Brazilian identity (Roger Chartier, 1988; Jacques Le Goff, 1990), thus developing a reflection on Brazilian cinema and the cinematographic aesthetic development of the 1950s/1960s (Alex Viany , 1959; Paulo Emílio Gomes, 1986; Jean-Claude Bernardet, 1977; Ismail Xavier, 1993). About the concept of identity and cultural history, we are guided by the theories of David Harvey (1979), Stuart Hall (1992) and Sandra Jatahy Pesavento (2003). The scenarios explored in the research are the favela in the midst of the metropolis in Rio de Janeiro, and the Northeastern Caatinga, located in the interior of Alagoas, contrasting physical spaces that served as a scenario for the development of the productions. We start from the theoretical support existing in the studies on cinema in Christian Metz (1977) and Marcel Martin (2005), which allow us to access the theoretical conceptualization of film; the interpretation of urban and rural space in Raymond Williams (1989), Raquel Ronilk (1995), Milton Santos (1997), Henri Lefebvre (2006) and Anne Cauquelin (2007). Through our work, it will be possible to determine the process of maturation of Brazilian audiovisual production since its beginnings, and how the cinemanova aesthetic evolution took place, which redesigned limits and expressive signs that were confused with the Brazilian culture of the late 1950s and the beginning of the 1960s, demonstrating the Brazilian people and its Brazilianness in different contexts.

The dissertation investigated the Protestant propaganda’s issue by foreign missionaries in the second half of the 19th century. The growing proselytism brought social changes, that's why we emphasize the conflicts related to marriages, generated by the growing number of immigrants. This was a sensitive issue for government officials, as the entry of people from other nations had increased since 1808, as they were attracted by economic opportunities, providing a cultural exchange regarding beliefs. On receiving immigrants, Brazil also welcomed ecclesiastics interested in expanding their religion. These people distributed Bibles in Portuguese, baptized those who were interested in following their teachings, built churches, participated in discussions on the press, and were hunted by civilians, public administration’s members, and part of the Catholic clergy. Therefore, the missionaries fought for religious association’s freedom, since the legislation recognized Catholicism as the official state religion. Starting from the Cultural History’s proposals, with analysis of publications in the press, memoirs, and official documents of the institutions, we sought to analyze how public services were performed by the Catholic Church, limited only to the believers, making marriage a hindrance to the confessional state, especially couples from different beliefs. In this regard, we visualize how missionaries’ work was crucial for the construction of a generating fact in Brazilian legislation.

This Master's dissertation aims to understand the formation and performance of the Division of Educational-Cultural Programs of the Museum of the Northeast and its contribution to the Teaching of History through the Educational Programs: “Learning at the Museum”, “Museum at the Magisterium” "," History Workshop "and" Didactic Boxes ", which took place between the years 1987 and 1997. With the Support for Cultural Property line, the Cultural Affairs Institute and the Documentation Institute came to help in the promotion and dissemination of cultural assets of the Museu do Homem do Nordeste. One of the consequences of these cultural activities took place through the Division of Educational-Cultural Programs, a division that pedagogically promoted the cultural activities of the museum, encouraging from the visit to the exhibition and readings of it, to courses, pedagogical training, recreational and educational workshops. theater with the participation of school groups, teachers and students from Recife and the Metropolitan Region. Thus, in the light of Cultural History and History Teaching, we seek to understand in this historical narrative whether the educational-cultural programs “Aprendering at the Museum”, “Museum at the Magisterium”, “History Workshop” and “Didactic Boxes”, made possible a didactic and pedagogical training on the contents of history.

Les ordres religieux qui se sont établis en Amérique portugaise au XVIe siècle correspondaient aux intérêts des parties en présence, à savoir la Couronne soucieuse d'assurer son projet colonial et l'Église, à son tour, à travers les ordres monastiques, cherchait à en assurer l'existence. Notre objet traverse la trajectoire bénédictine en Europe avec un focus sur la péninsule ibérique, à la suite de la réorganisation de la vie monastique de la création de la Congrégation des Moines Noirs de Saint Martin de Tibães des Royaumes du Portugal. Ceux-ci ont envoyé leurs agents à la mission en Amérique portugaise, s'installant à Salvador en 1582 puis à Olinda en 1592. Il est important d'analyser le succès de cet effort principalement dans les relations politiques qui motivent ces religieux à adopter une autre dynamique d'expérience religieuse qui de l'esprit bénédictin. Un autre aspect analysé dans ce travail est le déploiement de cette dynamique d’insertion dans l’atmosphère sociale de la colonie avec toutes ses vicissitudes, car l’évolution patrimoniale à travers les biens livrés au monastère, et dans des circonstances spécifiques, avait en commun un pendant spirituel pérenne: le suffrage in aeternum par l'âme du bienfaiteur. Notre objectif est de démontrer comment les bénédictins ont construit, à travers des pratiques liturgiques-pénitentielles, un soutien réciproque à la société coloniale en vue de l'acquisition et de la constitution d'un patrimoine important qui leur apportera toutes sortes de conflits dans la seconde moitié du dix-septième siècle. la discussion a un profil monastique différent de celui conçu par la règle de saint Benoît pour ses moines.

Brazilian regionalist literature was performed by several novelists, including José Lins do Rego (1901-1957), whose literary production, particularly the works of the "Sugar Cane Cycle", is marked by patriarchal society‟s decadence and the replacement of sugar mills. This research aims to analyze how regionalist literature has assimilated a set of cultural practices, expressing them as social representations of a regional identity in formation during the first decades of the twentieth century, based on the novels of José Lins do Rego. Albuquerque Júnior (2011), Castello (1961), Chaguri (2007), Oliveira (1997) and Diego Freire (2014) are names that served as sources for this research. This study is situated in the field of Cultural History, especially in the articulations between practices and representations proposed by Roger Chartier (1990). We adopted as main documentary body the novel by José Lins do Rego, "Fogo Morto" (1943). As methodological procedures, sections that indicate the presence of this patriarchal Northeastern society will be analyzed, considering daily life characteristis in the plantation and people that lived there, in order to identify how the social representations produced by José Lins contributed to the formulation of a regional identity centered on what we know as "sugar crops". It is hoped that this research will elucidate how José Lins do Rego appropriates specific cultural practices of the “sugar society” (sugar culture) to build his narrative.

With the Decree n. 1,030, dated August 7, 1852, an imperial concession authorized the construction of a railroad in the province of Pernambuco, to be undertaken by Recife and São Francisco Railway Company. The norm established an interest guarantee policy; allowed the acquisition of goods free of tax incidents; predicted the expropriation of lands; prohibited the use of slave labor; exempted from recruitment and granted exemption from military service to those working on the railroad. Under the cover of the discourse of progress and of the Nation, the actions of man on nature and on man himself were highlighted, changing social political conditions and the cartography of the region at the time, even in the face of the perpetuation of slavery and the elements constitutive of sugar plantations – big lands (latifundio), forced labor and monoculture aimed at exports. Politicians, investors, engineers and workers have integrated these public-private dynamics, analyzed from the parliamentary debates of normative authorization, to the construction and operation of the 1st section of the railway. Built 31.5 km, the first section was inaugurated and shortened the trajectory between Cinco Pontas (Recife) and Cabo village. There was diversity and precariousness of the formal statutes of the workers, among them recruits and deserters, who opened paths, beating sleepers and fixing rails of that road. Emperor Dom Pedro II, after experiencing the road, on December 1, 1859, pointed out in his diary the impressions of the landscape, the engineer in chief, the workers and the workshops. It was from these various alterations and artifacts left in historical records that this dissertation analyzed the state and private dynamics of railroad construction. The role of the state in the productive logic of capital relief was examined and the trajectories of engineers were studied, and a plexus of workers of varying conditions was analyzed in the open interval that had been drawn between not free and technically free work, a sample of the work history and its patterns of exploitation.

This research aims to investigate the daily lives of men and women of the working class city of Recife (1890-1915), at a time when concern about female honor, family preservation, the polarization of home space versus the street, and the value of free labor relate to the subject of national progress and the modernization of cities. Thus, taking into account the number of women than men, the vast number of existing widows in the state of Pernambuco, a considerable portion of domestic workers and the high illiteracy rate during the early years of the Republic, will seek to study the female experiences and men of the working class in their daily lives, in their conflicts arising from the precarious material, gender relations, class and color. Through a documentary corpus of criminal proceedings and journals, we propose to analyze small fragments of life of these subjects, they shared the same material reality and a chain of relationships involving standards of morality and honesty defined by gender cleavages, class and color. Investigate how men and women in pursuit of their livelihood and their peers, building their relations of solidarity and cronyism ties, touting identities, resisting and negotiating to / with publicized standards of morality.

This work intends to historicize the construction of the discourse of hygiene as a guide to structural changes of character, occurring in Recife, from 1831 to 1845. In considering the reports of travelers and chroniclers of the everyday reality, we have narrow streets and dirty, lack of drinking water and habits not civilized considered by the look of the "other". This scene contrasted with the ideas from Europe, in vogue at the time, which propagated the city as the "locus" of modernity, civility and hygiene. Examine the investment of public discourse and doctors in the construction of a new sensitivity on the dirt and the cleaning of Recife, in the first half of the nineteenth century. Embodied on the assumptions of Social Medicine, these words begin to materialize through the adoption of systematic measures directed to combat the garbage and sewage that infest the city, threatening the health of the population and hampering the economic transactions. It was around the discussion about the health conditions of the city that emerged answer some questions we are looking over the work. The edition of the Code of Municipal postures (1831) represented an attempt to standardize the urban space through devices prohibitive patterns occurring based as "unhealthy." We focus our analysis on the performance of doctors responsible for the creation of associations of consultative character, as the Council of Public Health (1845), which proposed establishing a constitution for the medical city. Observe that the legal provisions that were used in order to change habits on the health of urban space can tell us much about the subject and center on the very concept of health in the nineteenth century.