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NIELDY MIGUEL DA SILVA
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BETWEEN ABANDONMENT AND PERSEVERANCE: THE RELATIONSHIP WITH KNOWLEDGE IN THE EDUCATION OF PHYSICS TEACHERS
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Líder : JOSE DILSON BESERRA CAVALCANTI
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MIEMBROS DE LA BANCA :
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BENEDITO GONÇALVES EUGÊNIO
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GILVANEIDE FERREIRA DE OLIVEIRA
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JOSE DILSON BESERRA CAVALCANTI
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MARIA DE FÁTIMA GOMES DA SILVA
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SERGIO DE MELLO ARRUDA
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Data: 06-jun-2025
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Resumen Espectáculo
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The shortage of physics teachers with adequate training to work in Basic Education classrooms is a reflection of physics degree courses that graduate a small number of students. In order to investigate which aspects contribute to the retention of physics graduates on courses offered by public higher education institutions in the state of Pernambuco, Bernard Charlot's notion of the relationship to knowledge was used as a theoretical basis. This notion encompasses the relationships that are established with others, with the world and with ourselves when we are exposed to the need to learn something. In order to achieve the objective, a study was constructed based on a multipaper structure composed of five articles. Initially, we analyzed how the relationship to knowledge has been used in the training of physics teachers in the Brazilian context (article 1); we analyzed the Pedagogical Projects of Physics Degree Courses at public higher education institutions in Pernambuco, looking at the curriculum (article 2); the definitions of permanence and dropout in higher education were discussed, listing the elements that contribute to the occurrence of these phenomena (article 3); an analysis of the in-person Physics Degree courses in the state was presented, verifying their quality indicators, dropout rates and number of graduates (article 4); the elements that graduates and dropouts of Physics Degree courses in Pernambuco constructed with Physics were presented and how such construction was decisive for the decision to remain or abandon the course, from the perspective of the relationship to knowledge (article 5). Seven courses were analyzed. Using a structured questionnaire, responses were obtained from 61 physics undergraduates who were close to completing the course (2024.2 and 2025.1) and 14 former undergraduates from public physics degree courses in Pernambuco, distributed in the metropolitan, agreste and sertão regions of the state. The results showed that the decision to stay or drop out of the course is multifactorial, based on the relationships established with teachers, colleagues, course, institution and with oneself. It was found that in order to continue studying, students need to find meaning in this activity, identifying with physics and teaching, since it is this identification that influences whether or not they mobilize themselves to permanence until they graduate. Studies like this provide a current overview of the training of physics teachers and the causes for them to make one decision or another, indicating actions that can be taken by institutions, encouraging both physics undergraduates and students from courses with a similar profile to stay, not only in Pernambuco, but throughout the country.
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MILCA MARIA CAVALCANTI DE PAULA
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MUSIC EDUCATOR IN THEIR ART OF TEACHING IN THE ORFF-SCHULWERK APPROACH: CHOIR OF NARRATIVE (AUTO)BIOGRAPHICAL VOICES.
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Líder : GILVANEIDE FERREIRA DE OLIVEIRA
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MIEMBROS DE LA BANCA :
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GILVANEIDE FERREIRA DE OLIVEIRA
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FRANCISCO NAIRON MONTEIRO JUNIOR
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VERONICA TAVARES SANTOS BATINGA
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ALEXSANDRO DOS SANTOS MACHADO
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MARIA JOSÉ COSTA DOS SANTOS
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Data: 25-jul-2025
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Resumen Espectáculo
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When reflecting on how a music educator is trained, it is important to understand that they must be motivators of musical thinking and doing. They must be able to rethink the use of music, focusing on situations experienced and internalized in their daily work. Music education stands out in debates that differentiate the profession of music, primarily due to its humanized teaching approach (Queiroz, 2003). In this process, training is seen as fundamental to professional performance. However, this training has been questioned due to its status in the various courses that provide initial training in the field. To understand the training of music teachers or music educators, it is important to remember that this topic has been the subject of numerous debates, and that these debates intensified after the passage of Law 11.769/2008, which proposed mandatory music education in elementary and middle schools. Reflecting on and understanding the training of these teachers within undergraduate music programs implies understanding the concepts, beliefs, and values that guide all educational actions (Pires, 2003) in this information and technology-driven society. This dissertation poses a guiding question that investigates a teaching style: What do music educators say about their formative experiences and lived practices within the Orff approach? The overall objective is to understand the process of becoming a music educator through a perspective on lived practices and their narrated experiences. The specific objectives are: I. To present Orff-Schulwerk music pedagogy—its foundations and philosophical principles; II. To analyze the lifelong educational trajectories of teachers who use Orff pedagogy; III. To identify the contributions of Orff pedagogy in the practice of music teachers. The methodological design consists of the analysis of the (auto)biographical narratives of the collaborators involved, following semi-structured interviews called Musicobiographization (Abreu, 2017). The research is also phenomenological in nature. The theoretical framework of the thesis articulates studies of the Orff-Schulwerk approach of the German music pedagogue Carl Orff (1963); Barrett, (2005; 2009); Passeggi (2011; 2015); Machado (2005); Momberger (2012; 2014); Morim (2003), Larrosa, (1994); Nóvoa (1991), Cunha, (2013), Minayo (1994), among others. The thesis was subdivided into five parts with the final considerations, which become the reflective result of attentive listening of the research collaborators. The first part addresses the introduction in detail, recording the guiding question and objectives of the work. The first chapter explores the musical and intellectual work of music educator Carl Orff, analyzing his life story and pedagogical approach, the Orff-Schulwerk. The second chapter explores the narratives of the collaborating teachers to understand their reasons for choosing to use the Orff approach, analyzing what constitutes an Orff music educator today. The third chapter explores and identifies the methodology chosen for the dissertation. The fourth chapter presents the interpretative analyses of the narratives, seeking to answer the guiding question of this work: understanding how one learns and how to teach Orff pedagogy. The dissertation concludes with considerations that are not intended to be "final," but rather to confront certainties (Barrett, 2009) and reflect on the topic of training music educators who adopt the Orff-Schulwerk approach in the 21st century.
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